Character details are being kept under wraps. In addition to Tesfaye and Depp, the six new actors join previously announced cast members Suzanna Son, Melanie Liburd, Tunde Adebimpe, Steve Zissis, Troye Sivan, Elizabeth Berkley Lauren, Nico Hiraga and Anne Heche.
#Maya eshet tv
Martin marveled recently at how the show cleverly found ways to increase the number of crew on the ship, the better to kill more of them off over what will hopefully be multiple seasons.Weekly Release Or Binge Model? New Samba TV Study Suggests 2-Part Strategy Could Be Key For Streaming Viewership As the crew begins to disappear, the story becomes a bit of a whodunit as the remaining cast tries to figure out who or what is behind this mysterious, murderous phenomenon. This twist ups the horror factor - and Martin’s patented body count. These difficulties are compounded by a malevolent force that attacks the Nightflyer even before the ship enters “the void” of interstellar space travel.
From left to right, Gretchen Mol as Agatha, Maya Eshet as Lommie, David Ajala as Roy Eris, Jodie Turner-Smith as Melantha, Eoin Macken as Karl D'Branin. But these aliens, called volcryn, are not like their soundalikes, the benevolent Vulcans who made first contact with Earth in “Star Trek.” These aliens have also been ignoring Earth’s entreaties for years, and when the Nightflyer ship prepares to meet up with them, the first thing the volcryn do is to change course, as if to flee. The mission for the Nightflyer team is to intercept an alien race in order to see about a technology swap. Agatha Matheson (Gretchen Mol) have closely guarded secrets of their own. Meanwhile, both of the ostensible heroes Karl D’Branin (Eoin Macken) and Dr. And the telepathic character Thale (Sam Strike), is a damaged kid who has been traumatized by having to hear all the terrible things strangers and friends think of him. The gene-enhanced, man-made character Melantha Jhirl (Jodie Turner-Smith), is a woman with appetites that somewhat terrify her fellow crew members. “Nightflyers” does the same thing with its main characters, subverting classic science-fiction stereotypes like the childlike robot female and the mild-mannered, empathetic telepath.įor example, the benevolent captain character, Roy Eris (David Ajala), is no wise leader but rather a Howard Hughes-like recluse who only appears as a holographic projection to spy on the crew from his private deck.
This is always why “Game of Thrones” worked - because it took the fantasy tropes everyone recognized and imagined what human failings would turn them into: Fools, monsters and abuse survivors. That’s not to say it’s anywhere near the budget of say, a “Game of Thrones” episode, but it does rival big screen depictions of space.įortunately, while other channels tried to pick apart and replicate differing parts of “Game of Thrones, with varying degrees of success, Syfy has dug into what really makes Martin's story tick: Taking well-worn fantasy tropes and replacing the Pollyannaish idealism with a misanthropic pessimism. The Hollywood Reporter claims it is the most expensive show the channel has ever done to date, and was so pricey that Syfy brought in Netflix as a partner. With a lot on the line, “Nightflyers” is going for broke.
Over the last couple of years, the channel has “rebooted” itself with shows like “The Expanse” and “Killjoys,” but these have only drawn in small but passionate fanbases, and none has taken off the way “The Walking Dead” or “Doctor Who” did on rival cable channels, to say nothing of HBO’s “Game of Thrones.” Many channels took advantage of this sci-fi boom - except the one network supposedly created expressly for that purpose. Unfortunately, the rebrand also came at the worst possible time, as fantasy and science fiction exploded into the mainstream.
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